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Woah, I received some photos and the final cut fro

Woah, I received some photos and the final cut from cinematographer @garzas_dp from the filming of a 5 day shoot for @nbc and @studiocitypxl . Love seeing where our cameras and lenses go!

This collaboration between ARRI and Zeiss has resu

This collaboration between ARRI and Zeiss has resulted in the Master Primes, a set of revolutionary high-speed prime lenses that offer unparalleled resolution, contrast, and breathtaking image quality. With advanced lens design and manufacturing technology, these lenses are a cinematographer's dream come true.

-Breathtaking Performance
-Consistent
-Special Optical Effects
-Color Matching

Our view this morning, enjoying the time off! Film

Our view this morning, enjoying the time off! Filmmakers put your feet up and your worries down. Today, we're taking a much-needed break from the art of filmmaking. #filmmaker

Happy St. Patrick's Day Filmmakers! May your day b

Happy St. Patrick's Day Filmmakers! May your day be filled with the luck of the Irish and the joy of celebration. Let's raise a pint to the spirit of this festive occasion and to all things green! 🍀🍻

Introducing the new Vista series T1.5 Prime Lenses

Introducing the new Vista series T1.5 Prime Lenses from Tokina Cinema - the ultimate solution for cinema and motion imaging capture needs. With a huge 46.7mm image circle, these lenses are compatible with nearly every motion picture camera sensor on the market, and their uniform size and gear position make for easy setup and workflow.
@ocvlvsfilm

Super Fast T1.5 Aperture
Virtually No Breathing
A Focus Rotation Angle of Approximately 300 Degrees
8K Resolution and Coverage Capable
High Resolution - Low Distortion
Low Chromatic Aberration
Durable, All-metal Cine-style Housing with Geared Focus
Smooth, 9-blade, curved iris

With the weather how it has been in California, I’m curious if anyone is filming shots like these right now. What settings do you think he’s using for the gimbal, let us know in the comments below!! Let’s rock w/ @alexanderryden_film skiing with @reddigitalcinema Raptor following @windstedt for @peakperformance
Production @whiteoutpictures

The modern redesign of the Speed Panchro lenses pr

The modern redesign of the Speed Panchro lenses preserves the original look and feel while incorporating modern glass and /i Technology for seamless digital capture.

Woah, I received some photos and the final cut fro

Woah, I received some photos and the final cut from cinematographer @garzas_dp from the filming of a 5 day shoot for @nbc and @studiocitypxl . Love seeing where our cameras and lenses go!

This collaboration between ARRI and Zeiss has resu

This collaboration between ARRI and Zeiss has resulted in the Master Primes, a set of revolutionary high-speed prime lenses that offer unparalleled resolution, contrast, and breathtaking image quality. With advanced lens design and manufacturing technology, these lenses are a cinematographer's dream come true.

-Breathtaking Performance
-Consistent
-Special Optical Effects
-Color Matching

Our view this morning, enjoying the time off! Film

Our view this morning, enjoying the time off! Filmmakers put your feet up and your worries down. Today, we're taking a much-needed break from the art of filmmaking. #filmmaker

Happy St. Patrick's Day Filmmakers! May your day b

Happy St. Patrick's Day Filmmakers! May your day be filled with the luck of the Irish and the joy of celebration. Let's raise a pint to the spirit of this festive occasion and to all things green! 🍀🍻

Introducing the new Vista series T1.5 Prime Lenses

Introducing the new Vista series T1.5 Prime Lenses from Tokina Cinema - the ultimate solution for cinema and motion imaging capture needs. With a huge 46.7mm image circle, these lenses are compatible with nearly every motion picture camera sensor on the market, and their uniform size and gear position make for easy setup and workflow.
@ocvlvsfilm

Super Fast T1.5 Aperture
Virtually No Breathing
A Focus Rotation Angle of Approximately 300 Degrees
8K Resolution and Coverage Capable
High Resolution - Low Distortion
Low Chromatic Aberration
Durable, All-metal Cine-style Housing with Geared Focus
Smooth, 9-blade, curved iris

With the weather how it has been in California, I’m curious if anyone is filming shots like these right now. What settings do you think he’s using for the gimbal, let us know in the comments below!! Let’s rock w/ @alexanderryden_film skiing with @reddigitalcinema Raptor following @windstedt for @peakperformance
Production @whiteoutpictures

The modern redesign of the Speed Panchro lenses pr

The modern redesign of the Speed Panchro lenses preserves the original look and feel while incorporating modern glass and /i Technology for seamless digital capture.

Awesome behind the scenes and final cut for this c

Awesome behind the scenes and final cut for this commercial job we just had to repost.

“There are dozens of tools out there for Online Scheduling, Digital Forms, Automated Reminders, Online Payments, and Reviews - NexHealth is different. “
Check out their new explainer video to see how doctors and front office teams use NexHealth’s all-in-one Patient Experience Platform to sync with their health record system and transform their practice…

Day 1 & 2
Agency @thinkmojo
Client @nexhealthhq
PC @33angls
Prod. @_bigcheesus_
Dir. @rlsmall3
AD @kwesgxd
DP @jasonjosefferdp
1st AC @none2short
Gaffer @acecrelson
Key Grip Rick Larsen
Swing louis_shah
UI Tech @edwardgreenfilms
Sound @soundwithseth
MUA @joslynsoliman
Art Director Bridget Bruce
Art Assistance Greg Downing
PA Gino Ross
BTS @xzanderlyion

Talent Day 1
@bryanscamman

Talent Day 2
Maresha Robinson
Britt Riggin

#unrealengine #unreal #ledwall #learnfilmmaking #losangeles #sanfrancisco #miami #commercial #cinematography #director #producer #creativedirector #expedia #33ANGLS #film #seattle #bayarea #filmproducer #filmdirector #cinematography #travel

@xelmusanamorphic Apollo primes are a game-changer

@xelmusanamorphic Apollo primes are a game-changer with their impressive close focus distance, rotating astigmatizers for consistent squeeze ratio, and classic anamorphic look with barrel distortion, oval bokeh, and lens flares, while the MKII lenses offer improvements to sharpness, distortion, and edge performance with subtle lens flares and faster speed at T2.3.