RED GEMINI DSMC2
RED GEMINI DSMC2
Cinema Cameras
$400/Day
$1,200/Week
$4,000/Month
For flexibility in any situation, GEMINI is RED’s highest sensitivity sensor to date and offers significantly increased performance in low-light settings and improved performance in shadows. A DSMC2 GEMINI is capable of data write speeds of 300 MB/s, Available in Los Angeles and Las Vegas
FULL-FRAME DIGITAL CINEMA CAMERA WITH PHENOMENAL COLOR SCIENCE AND CREATIVE VERSATILITY.
Reliable partner for creativity
The DSMC2® GEMINI® Baeryless Camera Kit gives you the core components to produce cinema image quality. For flexibility in any situation, GEMINI is RED’s highest sensitivity sensor to date and offers significantly increased performance in low-light settings and improved performance in shadows. A DSMC2 GEMINI is capable of data write speeds of 300 MB/s, and can simultaneously record in REDCODE RAW and Apple ProRes or Avid DNxHR/HD. With features like cable-free peripherals, integrated media bay, wireless control, and more—DSMC2 GEMINI is also compatible with a growing arsenal of modules and accessories—from RED and other Third-Party manufacturers. Tack on interchangeable OLPFs and lens mounts and DSMC2 GEMINI gives you the ulmate control over your footage.
Red Gemini DSMC2 | |
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SENSOR TYPE | GEMINI 15.4 Megapixel Dual Sensitivity CMOS |
EFFECTIVE PIXELS | 5120 x 3000 |
SENSOR SIZE | 30.72 mm x 18.0 mm (Diagonal: 35.61 mm) |
DYNAMIC RANGE | 16.5+ stops |
MAX DATA RATES | Up to 300 MB/s using RED MINI-MAG (480GB & 960GB) Up to 225 MB/s using RED MINI-MAG (120GB & 240GB) |
CONSTRUCTION | Aluminum Alloy |
WEIGHT | 3.35 lbs (BRAIN with Integrated Media Bay) |
OPERATING TEMPERATURE | 0°C to 40°C (32°F to 104°F) |
MONITOR OUTPUTS | 3G-SDI (HD-SDI) and HDMI with DSMC2 expander module 1080p RGB or 4:2:2, 720p RGB or 4:2:2 480p RGB or 4:2:2 (HDMI only) SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio |
Exposure Modes | Optional Interchangeable Mounts: PL and EF-C Locking (1) Manual exposure based on shutter setting, iris setting, ISO/gain setting and ND filter setting (2) Push auto iris control, auto iris control |
MAX FRAME RATES | 3G-SDI (HD-SDI) and HDMI with DSMC2 expander module 1080p RGB or 4:2:2, 720p RGB or 4:2:2 480p RGB or 4:2:2 (HDMI only) SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio |
MAX FRAME RATES | 75 fps at 5K Full Height 1.7:1 (5120 x 3000) 96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160) 120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728) 150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296) 240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864) |
REDCODE RAW ACQUISITION FORMATS |
5K Full Height 1.7:1 (5120 × 3000), 5K Full Height 6:5 (3600 × 3000), and Ana 2x, 1.3x 5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x |
Feature Highlights:
- Dual Sensitivity CMOS
- 5120×3000 Effective Pixels
- Aluminum Alloy Body
- Cable-free peripherals
- Integrated media bay
- Wireless control
MASTERPIECES RECORDED WITH THE RED GEMINI
Check out our favorite movies filmed with these lenses
GEAR IN ACTION
More information on the Red Gemini below
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