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By Matthew Fresolone / June 13, 2022
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Large Format Cinema vs Super 35 | Which Sensor Size Is Best?
Large format cinema has been around for decades, but it’s become more widespread since the Digital Revolution hit Hollywood. Large format shooting began accelerating in ...
Keymaster Helmet Rig and Proton Pack Rig
In the digital age, there are some specially built gear that pushes digital cinema to the next level. None have greater commercial applications than two ...
Angénieux Optimo Prime Cinema Lens
70 years after its first series of Primes, Angénieux has released the Optimo Prime Series, a groundbreaking collection of prime lenses. Angénieux has been at ...
P+S Technik Technovision 1.5x Anamorphic Zooms
P+S Technik, the optical brand founded in 1990 by former ARRI engineers, has taken the unique step of building anamorphic lenses—with zoom capabilities. This flies ...
The Kowa Prominar Anamorphic Cine Lens
Built by NAC Image Technology in the late ‘50s, the Kowa Prominar Anamorphics debuted as a series of four prime lenses: the 40mm, 50mm, 75mm, ...
Canon 50-1000mm CINE SERVO T5.0-T8.9 Zoom Lens
Canon has built a specialty use S35 zoom lens with an incredible zoom ratio of 20x. With a fantastically wide focal range of 50-1000mm, and ...
Chrosziel Lens Testing Projector | Why They’re Essential
Bokeh Rentals recently acquired a state-of-the-art lens testing projector for its Los Angeles facility. The P-TP7 II is made by Chrosziel, an international company dedicated ...
Angenieux Optimo Ultra 12X Full Frame Cine Zoom
Angénieux has been advancing the film industry since the 1950s, whether it be with large format innovation or designing spectacular zoom lenses, such as the ...
ALEXA 35 | ARRI’s 4K Super35 Camera with a New Sensor
ARRI is back again, changing the game of digital cinema with its newest announcement, the ALEXA 35. The ALEXA 35 is a native 4K camera ...
