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By Matthew Fresolone / June 13, 2022
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Angenieux Optimo Ultra 12X Full Frame Cine Zoom
Angénieux has been advancing the film industry since the 1950s, whether it be with large format innovation or designing spectacular zoom lenses, such as the ...
ALEXA 35 | ARRI’s 4K Super35 Camera with a New Sensor
ARRI is back again, changing the game of digital cinema with its newest announcement, the ALEXA 35. The ALEXA 35 is a native 4K camera ...
P+S Technik TECHNOVISION Anamorphic 1.5x FF Lenses Test
Nowadays, it’s difficult to find a modern anamorphic cinema lens with vintage sensibilities. TECHNOVISION lenses have been used since the 1970s on classics like Apocalypse ...
Anamorphic 40mm Prime Lens Comparison Test (Technovision, Xelmus, Cooke, and Lomo)
This week, DP Max Goldberg shot an in-depth lens test at the Bokeh Rentals Facility with four lenses in high demand. Using the Alexa Mini ...
Cooke’s New Macro/i FF 1:1 Lenses
Cooke recently announced it is "introducing a new branch of the S/7 family" with its new 1:1 Macro lenses. Details remain vague about these /i-enabled, ...
ARRI Signature Zoom T2.8 Lenses
The ARRI Signature Zooms T2.8 might be the highest quality, highest valued lenses on the market. ARRI, the goliath manufacturer responsible for the ARRI Alexa ...
PANCHRO/i Classic Full Frame Lenses
PANCHRO/i Classic FF lenses revitalize the Speed Panchro look Cooke Optics, the longest-standing pros in the cinema lens game, do way more than meet their ...
Comparing the Cooke S4 and Mini S4 Cinema Primes
Cooke, arguably the top optical designer and manufacturer throughout filmmaking history, has released another set of S35 lenses called the S4/i and Mini S4/i. These ...
Cooke Anamorphic 1.8X SF Primes
Following the success of the Cooke Anamorphic primes, the UK-based optical manufacturer understood that consumers wanted even more expression to the image’s vintage-inspired aberrations. So, ...
